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Mathilde essays Mathilde’s Outlook on Life Various people allow the circumstances in their lives to shape their outlooks on life differently. Some people try to have a positive outlook on life by making the best of whatever situation that comes their way. Others tend to have a negative outlook on life and feel sorry for themselves until they realize the uselessness of it. In the short story, “The Necklace,” Guy de Maupassant illustrates, through his character, Mathilde Loisel, a person that has a negative viewpoint on life because she is unhappy, prideful, and determined. Mathilde Loisel is very unhappy because of the circumstances in her life. According to Maupassant, Mathilde “settled for a marriage with a minor clerk,” instead of marrying the rich man of her dreams (4). Mathilde also “suffered constantly, feeling buy essay online cheap nt2580 unit 2 assignment 2 destined for all delicacies and luxuries” that she does not have (5). She even decides to avoid her rich friend because she “would weep for the entire day afterward with sorrow, regret, despair, and misery” (5). When her husband gives Advanced Parole and Probaton me writing an essay an invitation to dinner at the Ministry of Education, she “began to essay on respect and disrespect essays on friendship relationship and tells her husband, “…’I have nothing to wear and therefore can’t go to the party’” (6). She also gets upset because jane austen does not “have any jewels to wear” (7). All of these circumstances contribute to making Mathilde Loisel a depressed woman. In addition to being very unhappy, Mathilde Loisel is a very prideful person. She seems really vain because Maupassant states that Mathilde “burned with the desire to please, to be envied, to be attractive, and sought after” (5). She says that she would “’almost rather not go to the party’” because she thinks that she will “’look like a beggar’” (7). A good example of her pridefulness is when Mathilde says that there is “’nothing more humiliating than looking shabby in the company of rich women’” (7). .